The news media hyped up this year’s Oscars to be “downplayed” by the actors, with virtually no red carpet coverage, no over-the-top outfits, and lots of black. For the most part the Oscars did turn out to be less outrageous than usual but I have to say that I think I liked this year’s show more than when it is ultra-glam.
Steve Martin hosted and he did an excellent job. His jokes were funny throughout the night with my personal favorite directed toward the head of the Academy. Steve mentioned that this year cleavage is in, and then introduced the Academy president onto the stage. He had a number of good ones but my other favorite was when he listed some of the people in the audience who had slept with him and then later branded Jack Nicholson as a homosexual. Jack then licked his eyebrow.
The low point of the night definitely went to Michael Moore, who started out with a great acceptance speech and then blew it. He had a great beginning, where he mentioned how we live in a ficticious world and how documentary is a great art form. He had all of the other nominees up on the stage with him. Then he started ranting about Bush and members in the audience started booing him because Oscar speeches are supposed to be apolitical. Here’s the transcript:
Acceptance Speech
“Whoa. On behalf of our producers Kathleen Glynn and Michael Donovan from Canada, I’d like to thank the Academy for this. I have invited my fellow documentary nominees on the stage with us, and we would like to — they’re here in solidarity with me because we like nonfiction. We like nonfiction and we live in fictitious times. We live in the time where we have fictitious election results that elects a fictitious president. We live in a time where we have a man sending us to war for fictitious reasons. Whether it’s the fictition of duct tape or fictition of orange alerts we are against this war, Mr. Bush. Shame on you, Mr. Bush, shame on you. And any time you got the Pope and the Dixie Chicks against you, your time is up. Thank you very much.”
Michael Moore
I thought I was going to get most of the Oscar picks correct, but as usual the Academy managed to throw me a loop. Here’s a list of what I got right and what I got wrong. See how it compares with your own:
- [wrong] ACTOR IN A LEADING ROLE
Jack Nicholson
ABOUT SCHMIDT
- [right] ACTOR IN A SUPPORTING ROLE
Chris Cooper
ADAPTATION
- [right] ACTRESS IN A LEADING ROLE
Nicole Kidman
THE HOURS
- [right] ACTRESS IN A SUPPORTING ROLE
Catherine Zeta-Jones
CHICAGO
- [right] ANIMATED FEATURE FILM
SPIRITED AWAY
Hayao Miyazaki
- [right] ART DIRECTION
CHICAGO
John Myhre (Art Direction); Gordon Sim (Set Decoration)
- [wrong] CINEMATOGRAPHY
CHICAGO
Dion Beebe
- [right] COSTUME DESIGN
CHICAGO
Colleen Atwood
- [wrong] DIRECTING
GANGS OF NEW YORK
Martin Scorsese
- [right] DOCUMENTARY FEATURE
BOWLING FOR COLUMBINE
Michael Moore and Michael Donovan
- [right] DOCUMENTARY SHORT SUBJECT
TWIN TOWERS
Bill Guttentag and Robert David Port
- [right] FILM EDITING
CHICAGO
Martin Walsh
- [wrong] FOREIGN LANGUAGE FILM
EL CRIMEN DEL PADRE AMARO
Mexico
Directed by Carlos Carrera
- [right] MAKEUP
FRIDA
John Jackson and Beatrice De Alba
- [wrong] MUSIC (SCORE)
THE HOURS
Philip Glass
- [right] MUSIC (SONG)
8 MILE
‘Lose Yourself’
Music by Eminem, Jeff Bass and Luis Resto; Lyric by Eminem
- [right] BEST PICTURE
CHICAGO
Martin Richards
- [right] SOUND
CHICAGO
Michael Minkler, Dominick Tavella and David Lee
- [right] SOUND EDITING
THE LORD OF THE RINGS: THE TWO TOWERS
Ethan Van der Ryn and Michael Hopkins
- [right] VISUAL EFFECTS
THE LORD OF THE RINGS: THE TWO TOWERS
Jim Rygiel, Joe Letteri, Randall William Cook and Alex Funke
- [wrong] WRITING (ADAPTED SCREENPLAY)
THE HOURS
Screenplay by David Hare
- [wrong] WRITING (ORIGINAL SCREENPLAY)
MY BIG FAT GREEK WEDDING
Written by Nia Vardalos
The official list of winners is online at oscar.com.